What Gas Stations Can I Find Condoms In?

Write and publish the war Algeria

War "no name" and "no pictures", the war in Algeria was not, however, despite a war room deafness without words. For over half a century, the unspeakable shame and raised voices in the fathers' generation like that of the son, and this book aims to reveal the abundance and diversity. Initial burst of brilliance in this kaleidoscopic journey, the reader may find the multiple pathways by which this war insistently us.

In an emergency, during the war itself, many intellectuals and writers involved in the press and in the book. Each of the studies presented here examines how is tied or renews link between poetry and politics: some, like Mauriac, invent, others, such Senac, c herchent to reclaim a legacy of the previous war. Many issues (that of language, that of horror, that of shame and silence of the fathers) bind a war and literature to another.

They are found in the second part of the book, devoted the resurgence of the war in Algeria in the literature "after", especially that of the 80's to today. A war haunts the other, without permission to speak in the singular, a literature of the war in Algeria. Researchers and writers attempt to define these literatures in a war that takes voice through these texts lar electure .

- Augais Thomas, Mireille Hilsum, Chantal Michel, Writing and publishing the war Algeria. The resurgence of the emergency , Editions Kime, 2011.

Blood Blister On Tonsil What Could This Be

The construction of colonial discourse

The settlements issue has again become a topical issue and the subject of a social demand. The current controversies are part of continuities that often explain their acuity, without the need to fetch the "hidden truths". Beyond the controversy of the moment, the book proposes to follow the development of the contemporary history of relations between France and the world beyond Europe.

Oissila Saaidia, associate professor of history at the University and a doctorate in contemporary history, is Lecturer in Modern History at the University of Strasbourg and member of LARHER (team Religions, societies and acculturation).
Laurick Zerbini is a lecturer in African art history at the University Lumière Lyon 2 and member of LARHRA.

- Oissila Saaidia Laurick and Zerbini (eds.), Construction of colonial discourse: the French Empire in the nineteenth and twentieth centuries , Paris, Karthala, 2009, 252 p.